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【新品】TOHO DEMH゚ARD Vol.3 ~とーほーでんぱーど~ / Dドライブ 発売日:2023年12月頃20231231 FAQ 13 01. MONEY IS POWER Vocal: Rap: Arrange: HASEKO Lyric: : Egoistic Flowers 02. Nazrin Rodenticide Voice: Arrange: HAGISOPH : 03. Arrange: sath : 04. Vocal: Arrange: Kagarin Lyric: : Casket of Star 05. Endlessly Arrange: sath : 06. eighty nine Rap: sath Arrange: NANO FXXKYIG Lyric: sath : Flower Land 07. Hopping Popping Music Vocal: Arrange: Kagarin Lyric: : Phantom Ensemble Ancient Temple
【発行日】2023年12月31日予定【発送時期】入荷次第発送
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勝ちまくりモテまくり!!
電波×クラブサウンド
酒・オンナ・石油 手にするだけで欲望達成!!
人生大逆転、奇跡体験続出
キミも勝ちまくって疫病神改め石油王になろう!!
01.MONEY IS POWER / Vocal:籠目サク Rap:みゅい Arrange:HASEKO Lyric:籠目サク
原曲:今宵は飄逸なエゴイスト ~ Egoistic Flowers
02.Nazrin Rodenticide / Voice:籠目サク Arrange:HAGISOPH
原曲:小さな小さな賢将
03.分福早々硬核 / Arrange:sath
原曲:佐渡の二ッ岩
04.カードキャッシャー魔理沙 / Vocal:籠目サク Arrange:Kagarin Lyric:籠目サク
原曲:星の器 ~ Casket of Star / 魔獣スクランブル
05.Endlessly / Arrange:sath
原曲:東方妖怪小町
06.eighty-nine / Rap:sath Arrange:NANO-FXXKYIG Lyric:sath
原曲:今昔幻想郷 ~ Flower Land
07.Hopping Popping Music / Vocal:籠目サク Arrange:Kagarin Lyric:籠目サク
原曲:幽霊楽団 ~ Phantom Ensemble / 東方妖々夢 ~ Ancient Temple
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4.7 ★★★★★
Based on 12 reviews
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Product Reviews
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers
ISBN: 978-0-19-5396638
Read June, 13th-27th, 2017.
This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book.
After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time.
Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person.
Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma.
Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision.
The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
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Reviewed in the United States on June 27, 2017
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
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Reviewed in the United States on January 19, 2021
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
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Reviewed in the United States on March 20, 2014
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
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Reviewed in the United States on April 20, 2017
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
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Reviewed in the United States on March 16, 2023