SKU: 6622020668

Cactus Desert Cotton Fabric 1980s

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Description

Cactus Desert Cotton Fabric 1980sVintage Southwestern Desert Cotton Cactus Print Fabric This stunning vintage Cactus Desert Cotton Fabric showcases the vibrant beauty of southwestern desert landscapes with its eye catching cactus and desert motifs that truly make colors jump off the print. This exceptional decorator's fabric features brilliant, saturated colors that capture the essence of the American Southwest with authentic desert flora and fauna designs. Measuring 4 yards in a 34

Vintage | Southwestern Desert | Cotton | Cactus Print Fabric

This stunning vintage Cactus Desert Cotton Fabric showcases the vibrant beauty of southwestern desert landscapes with its eye-catching cactus and desert motifs that truly make colors jump off the print. This exceptional decorator's fabric features brilliant, saturated colors that capture the essence of the American Southwest with authentic desert flora and fauna designs. Measuring 4 yards in a 34-inch width, this lightweight cotton provides ample material for various home decorating projects while maintaining the perfect weight for easy handling and sewing. The unused condition ensures pristine quality, though minor color processing variations may be visible upon close inspection, adding to the fabric's authentic vintage character and handcrafted appeal that's perfect for creating southwestern-themed home decor with genuine period charm.

Specifications

  • Brand: Vintage
  • Era: 1980s
  • Color: White/Green/Red/Brown
  • Pattern: Cactus and Desert Motifs
  • Material: Cotton Blend
  • Condition: New Old Stock
  • Yardage: 4 Yards x 34"
  • Fabric Weight: Lightweight
  • Finish: Smooth Cotton
  • Care: Machine Washable

Key Features

This remarkable vintage fabric showcases exceptional color saturation with vibrant desert hues that create stunning visual impact in any southwestern decorating scheme. The authentic cactus and desert motifs feature detailed botanical designs that capture the natural beauty of southwestern landscapes. The lightweight cotton construction provides easy handling for sewing projects, while the 4-yard length and 34-inch width offer versatility for curtains, pillows, and other home decor applications with minimal waste.

Perfect for

Ideal for cabin and lodge owners seeking authentic southwestern textiles for rustic decor projects, interior designers creating desert-themed spaces with genuine vintage materials, and crafters working on western home accessories including throw pillows, table runners, and wall hangings. Perfect for collectors of southwestern vintage fabrics who appreciate authentic desert motifs, quilters incorporating cactus themes into their work, and DIY enthusiasts decorating spaces that celebrate the natural beauty and cultural heritage of the American Southwest.

Condition Details

This Vintage Cactus Desert Fabric shows color-bleed processing variations.

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SKU: 6622020668

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4.4 ★★★★★
Based on 26 reviews
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D
Verified Purchase
DoubtfulReader
Port Orchard, US
★★★★★ 3
Notes on Legal Style by a Law Professor and Experienced Lawyer.
Format: Kindle
BOOK REVIEW: MEYER, Philip N., Storytelling for Lawyers ISBN: 978-0-19-5396638 Read June, 13th-27th, 2017. This book discusses storytelling tools by presenting a series of examples of good storytelling, both in legal settings and in literary works and movies. If theoretical explanations are sometimes a bit dry, the frequent quoting of practical examples conveys fluidity and speed to the book. After an introduction presenting lawyers as storytellers, it deals with the roles played in storytelling by Plots (chapters 2 and 3); Character (4 and 5); Voice, Perspective, Details and Images, and Rhytm and Speed (which relate to Scene and Summary) (chapter 6); Place or Story Environment (chapter 7) and Narrative Time. Focusing maybe too narrowly on legal storytelling before American juries, plot is almost equated with melodrama. Films like Jaws and High Noon are extensively discussed, as Gerry Spence’s Closing Argument on Behalf of Karen Silkwood. The chapters on character offer interesting insights on character classification (“round” characters, with psychological depth, prone to suffer transformation as the story evolves, vs. “flat” ones), while discussing the tools for telling how a character is, as opposed to simply showing the psychological nature of each character’s character through dialogue or the actions the character performs. Examples include Tobias Wolff’s This Boy’s Life and Jeremiah Donovan’s Closing Arguments on Behalf of Louis Failla, in a 13-week trial the Author could scrupulously attend in person. Discussions on Voice, Perspective, Details and Images, Scene and Summary, criticize the basic assumptions of the neutrality of lawyers’ voices, exemplifies how to manage details to suggest ideas and emotions, draw on the distinction between showing and telling, and offers interesting insights into the narrative theory’s concept of stretch (the slowing of the narrative rhythm in relation to the narrated story’s). Environment depiction storytelling tools deals with Joan Didion’s The White Album and the Judicial Opinion in a Rape Case, quoting also from W. G. Sebald’s The Emigrants and the Petition Briefs in Reck v. Ragen and Miranda v. Arizona. Further examples are Kathryn Harrison’s While They Slept and the Petitioner’s Brief in Eddings v. Oklahoma. Finally, the chapter on Narrative Time draws on Kurt Vonnegut’s Slaughterhouse Five and explores time, rhythm or speed, discussing more deeply stretch and the relation of time of the narrative itself with the time of the facts dealt with in the narrative. Chronology is discussed and criticized; Analepsis or Flashback is didactically explained and exemplified, both in general storytelling theory and in its legal use; the same holds for Prolepsis (Flash-forward) and Ellipsis (the intentional omission of a part of the narrative, often with the purpose of emphasizing the omitted event. Pacing and Rhythm are discussed in more lenght, with the caveat - repeated somewhat throughout the book - that legal stories are often left unfinished by the lawyer, in order to allow the jurors or judges fill the end with their decision. The Author remarks his purpose was to suggest possible tools and ways of dealing with problems which arise in legal storytelling, and he delivers what he promises.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on June 27, 2017
M
Verified Purchase
Matt M.
Los Angeles, US
★★★★★ 5
Great book and great professor
Format: Paperback
Professor Meyer is a great writer. I had took his death penalty case at Vermont Law School. He writes for numerous magazines including the ABA. I would highly recommend this book and all of his writings.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on January 19, 2021
J
Verified Purchase
J. Christian
Fort Morgan, US
★★★★★ 4
Interesting book
Format: Paperback
I am not a lawyer, nor a writer, but rather a reader. I found the correlation of legal storytelling with sceenplay, literary narrative quite interesting. Legal trials are theater.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 20, 2014
C
Verified Purchase
Classics professor
Massapequa, US
★★★★★ 5
Highly recommended -- not just for lawyers!
Format: Paperback
I'm not a lawyer but a Classics professor looking for modern parallels to (and contrasts with) Cicero's persuasive strategies in Roman courts. This book was just what I was looking for: lucid, informative, smart, and as a bonus, well versed in narrative theory, which Meyer handles as an experienced teacher -- avoiding jargon and needless complication, illustrating the key ideas with well-known cinematic examples.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on April 20, 2017
D
Verified Purchase
Danley Wolfe
Draper, US
★★★★★ 5
Super overview and commentary on the historiy and many iterations/amendments
Format: Hardcover
I purchased and carefully read Jeff Kosseff's "The Twenty-Six Words That Created the Internet." It is an illuminating and thorough account of all facets of the legislation including history, enactment, modifications and amendments etc. A complex subject to understand, Mr. Kosseff did an outstanding job of presenting the complicated history and details and understanding of why this is incredibly important leading up to the form that is now in use. Some reviewers complain about too much detail, but I disagree, it is very important to understand the detail. A difficult topic and a great job of presentation. I would like to have a time line e.g., something like a "herring bone" chart notating all of the critical stages of development up to the present ... from initial concepts to Section 230 rollout and the important changes / amendments in both substance and use of 230. I am now reading Koseff's latest book on a similar but different topic, "The United States of Anonymous" which deals with how the first amendment shaped the development of our online speech.
WAS THIS REVIEW HELPFUL?YesReportShare
Reviewed in the United States on March 16, 2023

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