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Ntuli, Thandi with Carlos Niño – Rainbow Revisited ["POT OF GOLD" VINYL] - New LPLiner Notes by Thandi Ntuli: I travelled to Los Angeles and the USA for the first time in 2019. Although I had not met Carlos in person, we connected via Instagram where he saw a video of me playing a piano motif (titled The One in this sequence) that he really liked and expressed a wish to record. This was around 2017. We tried a few times to get me over to Los Angeles, but the timing was always off. Through a performance organised by a creative
Liner Notes by Thandi Ntuli: I travelled to Los Angeles and the USA for the first time in 2019. Although I had not met Carlos in person, we connected via Instagram where he saw a video of me playing a piano motif (titled ‘The One’ in this sequence) that he really liked and expressed a wish to record. This was around 2017. We tried a few times to get me over to Los Angeles, but the timing was always off. Through a performance organised by a creative collective called The Nonsemble at The Ford Theatre we finally got the opportunity to meet, play together and subsequently go into studio to record some improvisations as he guided the recording process.
Having been aware of some of his work – in particular his collaborative projects as Carlos Niño & Friends, as well as with his friend and long-time collaborator, Miguel Atwood-Ferguson – I knew that, with Carlos as producer, the artistic direction of the album would likely take me to a place I’d never considered going. A fact that had me both curious and terrified (as one tends to be when stepping into the unknown) Lol!
Initially keen to record the song that he had seen/heard me play on Instagram, our performance a few days before the session drew him to the song Rainbow off my sophomore album, Exiled (2018). On that zen-like California afternoon in Andy Kravitz’s cozy studio in Venice Beach, he encouraged me to play around with various iterations of Rainbow. “Try it this way”, “How about adding that?”, “Can you breathe into the mic?”, “What if you focus on the last section?”, and many other explorations that eventually went through a few cuts, edits, yays and nays to become this body of work. Rainbow Revisited was birthed through that session, another session a couple of days later, and a series of many small synchronicities that led up to that moment.
A particularly special moment for me was when he invited me to play something from home, which lent itself to me recording a song originally written by my grandfather that we often sing when at family gatherings. The song is called Nomayoyo.
So much has happened since that session in late 2019. Many changes in our personal and collective universes. Losses and gains, births and transitions into the next life, Mother Nature’s ever-constant cycles reminding me that through all the chaos there remains, just beneath, this perfect order in Her ebb and flow. And most importantly, reminding me to feel for Her and to listen.
She speaks!
If Rainbow in my initial birthing of it, expressed a discontent with what we have accepted as freedom in South Africa and, possibly, around the world, I’d like to think that Rainbow Revisited is some kind of a response. Where the idea of ‘the rainbow nation’, with all the baggage it carried, had hijacked the innocence and mystical nature of a rainbow, I now reclaim its meaning through going back, going inward, healing, and rebuilding with the hope of a less heart-breaking and more fulfilling tomorrow.
Lihlanzekile!
Having been aware of some of his work – in particular his collaborative projects as Carlos Niño & Friends, as well as with his friend and long-time collaborator, Miguel Atwood-Ferguson – I knew that, with Carlos as producer, the artistic direction of the album would likely take me to a place I’d never considered going. A fact that had me both curious and terrified (as one tends to be when stepping into the unknown) Lol!
Initially keen to record the song that he had seen/heard me play on Instagram, our performance a few days before the session drew him to the song Rainbow off my sophomore album, Exiled (2018). On that zen-like California afternoon in Andy Kravitz’s cozy studio in Venice Beach, he encouraged me to play around with various iterations of Rainbow. “Try it this way”, “How about adding that?”, “Can you breathe into the mic?”, “What if you focus on the last section?”, and many other explorations that eventually went through a few cuts, edits, yays and nays to become this body of work. Rainbow Revisited was birthed through that session, another session a couple of days later, and a series of many small synchronicities that led up to that moment.
A particularly special moment for me was when he invited me to play something from home, which lent itself to me recording a song originally written by my grandfather that we often sing when at family gatherings. The song is called Nomayoyo.
So much has happened since that session in late 2019. Many changes in our personal and collective universes. Losses and gains, births and transitions into the next life, Mother Nature’s ever-constant cycles reminding me that through all the chaos there remains, just beneath, this perfect order in Her ebb and flow. And most importantly, reminding me to feel for Her and to listen.
She speaks!
If Rainbow in my initial birthing of it, expressed a discontent with what we have accepted as freedom in South Africa and, possibly, around the world, I’d like to think that Rainbow Revisited is some kind of a response. Where the idea of ‘the rainbow nation’, with all the baggage it carried, had hijacked the innocence and mystical nature of a rainbow, I now reclaim its meaning through going back, going inward, healing, and rebuilding with the hope of a less heart-breaking and more fulfilling tomorrow.
Lihlanzekile!
credits
released November 17, 2023
Thandi Ntuli: Piano, Synthesizer, Tongo, Voice
Carlos Niño: Cymbals, Percussion, Plants
Recorded by Andy Kravitz at Studio 4 West, Venice Beach, California, August 2019.
Additional Recording by Carlos Niño.
Produced and Mixed by Carlos Niño.
Mastered by David Allen and Dave Vettraino.
Cover Art by Shabaka Hutchings.
Poem by Thandi Ntuli.
Insert Photo by Thandi Ntuli.
Graphic Design and Layout by Craig Hansen.
Thandi’s Thank You’s:
My gratitude to you Carlos for conceiving and believing. For your
humanity and enthusiasm. All the years that this album was in the
making, and still so excited about it, if not more-so now. Scottie
and David of International Anthem for your care and unrelenting
belief in this project. It is an honour to be in partnership with you.
Thank you, as well, to Shabaka for your contribution and energy
by means of the artwork. I am so glad we were able to have your
voice included in such a beautiful and fitting way.
To Umdali… Always in all ways, I remain committed to Love
and being in service of you.
To all those who come before me, in my lineage, in
consciousness, in deeds and musically. And to all those who
have just arrived and are still to come, who keep us hoping,
striving, and dreaming.
Ngiyabonga!
To all who receive this music and complete the circle by giving
this work meaning, thank you!
And finally, to Graeme… I dedicate my contribution to this
album to Dr Graeme Gilfillan who left us just when we
concluded the final details of the album. Like I’d always say to
you “not all heroes wear capes”. May you be welcomed by a
great party of all the artists you fought for whilst you walked on
this earth. There aren’t enough thank you's for what you have
done for me and how you have empowered me. Thank you for
walking the walk and being a real one!
Kuyosala izibongo.
Phambili!
Ayabonga amaPhemba, nabo bonke abahamba nami!
Till we meet again.
Carlos's Thank You's:
Thandi, what an Honor and Joy to make this Album
with You, Scottie McNiece, Francesca and Cosmo,
David Allen, Alejandro Ayala, International Anthem,
Andy Kravitz, the Wizard, Studio 4 West, The World Stage,
Alex Kelman, Third Side Music, Jason Sugars, Kali Malikah,
Greg Paul, David Otis, Ken Barrientos, Siya Makuzeni,
Shabaka Hutchings, Abdullah Ibrahim / Dollar Brand,
Townhouse Venice, Louie & Netty Ryan, Novena Carmel,
Alix Fisher, Nate Mercereau, Banch Abegaze, Jesse Peterson,
Travis Lett, Jason Lader, Aaron Wiggs, Laraaji,
Claudia Niño, Je Stabenau, Annelise and Mossy . .
Thandi Ntuli: Piano, Synthesizer, Tongo, Voice
Carlos Niño: Cymbals, Percussion, Plants
Recorded by Andy Kravitz at Studio 4 West, Venice Beach, California, August 2019.
Additional Recording by Carlos Niño.
Produced and Mixed by Carlos Niño.
Mastered by David Allen and Dave Vettraino.
Cover Art by Shabaka Hutchings.
Poem by Thandi Ntuli.
Insert Photo by Thandi Ntuli.
Graphic Design and Layout by Craig Hansen.
Thandi’s Thank You’s:
My gratitude to you Carlos for conceiving and believing. For your
humanity and enthusiasm. All the years that this album was in the
making, and still so excited about it, if not more-so now. Scottie
and David of International Anthem for your care and unrelenting
belief in this project. It is an honour to be in partnership with you.
Thank you, as well, to Shabaka for your contribution and energy
by means of the artwork. I am so glad we were able to have your
voice included in such a beautiful and fitting way.
To Umdali… Always in all ways, I remain committed to Love
and being in service of you.
To all those who come before me, in my lineage, in
consciousness, in deeds and musically. And to all those who
have just arrived and are still to come, who keep us hoping,
striving, and dreaming.
Ngiyabonga!
To all who receive this music and complete the circle by giving
this work meaning, thank you!
And finally, to Graeme… I dedicate my contribution to this
album to Dr Graeme Gilfillan who left us just when we
concluded the final details of the album. Like I’d always say to
you “not all heroes wear capes”. May you be welcomed by a
great party of all the artists you fought for whilst you walked on
this earth. There aren’t enough thank you's for what you have
done for me and how you have empowered me. Thank you for
walking the walk and being a real one!
Kuyosala izibongo.
Phambili!
Ayabonga amaPhemba, nabo bonke abahamba nami!
Till we meet again.
Carlos's Thank You's:
Thandi, what an Honor and Joy to make this Album
with You, Scottie McNiece, Francesca and Cosmo,
David Allen, Alejandro Ayala, International Anthem,
Andy Kravitz, the Wizard, Studio 4 West, The World Stage,
Alex Kelman, Third Side Music, Jason Sugars, Kali Malikah,
Greg Paul, David Otis, Ken Barrientos, Siya Makuzeni,
Shabaka Hutchings, Abdullah Ibrahim / Dollar Brand,
Townhouse Venice, Louie & Netty Ryan, Novena Carmel,
Alix Fisher, Nate Mercereau, Banch Abegaze, Jesse Peterson,
Travis Lett, Jason Lader, Aaron Wiggs, Laraaji,
Claudia Niño, Je Stabenau, Annelise and Mossy . .
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★★★★★ 5
Excellent customer service
Format: Paperback
Totally recommendable.
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Reviewed in the United States on August 26, 2019
★★★★★ 5
Five Stars
Format: Paperback
This helped a lot for us to prepare for the SLATE exam.
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Reviewed in the United States on August 23, 2016
★★★★★ 5
Good
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This is great! I like this one.
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Reviewed in the United States on June 22, 2016
★★★★★ 2
Good to have if you've never seen the iTEP exam, but don't rely on it to boost your scores
Format: Paperback
This book is good in that it comes with two practice tests: one in the beginning of the book, one in the end of the book. The grading rubric is helpful too. However, the actual guide part of the book, doesn't help too much with how to improve test scores. What I like least about this guide is that it won't tell you which questions you answered incorrectly on the practice exams. A good test prep guide will tell you what you answered incorrectly, and will tell you what logic to follow to get to the correct answer. In the reading passages, it would be nice to know where I can find evidence to justify the "correct" answer. In the grammar section, it would be nice to know which rule I'm violating. Any test guide should always come with some testing strategies. I.E. If this question is taking up too much time, skip it and go to the next one. This guide lacks simple strategies like that. Simple strategies like that could be useful when incorporated into this guide because there are certain sections on the exam that you can go back to previous questions, but some sections where the "back" button is disabled.
Overall, if you've never seen an iTEP exam before, this book is certainly helpful in that it will give you an idea of what you will be testing for. However, this book alone won't help you achieve a score of 6. The table of contents itself will tell you there are only 86 pages of actual content covering test material. That's not enough to cover how to excel in the exam.
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Reviewed in the United States on January 27, 2015
★★★★★ 1
Don't buy it
Format: Paperback
It does not prepare for the real test.
Using it is absolutely not enough to be approved with good grades.
Too expensive for what it offers.
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Reviewed in the United States on October 21, 2016